Showing posts with label Firehouse North Gallery. Show all posts
Showing posts with label Firehouse North Gallery. Show all posts

SILICONE VALLEY HIGHSCHOOL BEST EMERGING YOUNG ARTISTS

EXHIBIT @ FIREHOUSE GALLERY NORTH

Opening night Friday, March 21, 7-9pm



The exhibit, “Aspiring Artists Showcase” features 50 paintings, photographs, painted birdhouses and book illustrations by forty nine Hillsdale students.



An annual collaboration between Hillsdale art teacher Cindy Lynch, and the Firehouse Art Collaborative curation team, Tom Franco and Julia Lazar.

“Our collaboration presents a unique learning environment for our students to explore their own work and their potential future as an artist,” Hillsdale Visual Art Teacher Cindy Lynch said. “We are grateful to the Firehouse Art Collaborative for making this possible.”



 Students featured in the exhibition are Alex Herzog, Isik Yildiz, Giana Lorenzini, Amiel Joshua Manansala, Aya Harada, Jovany Martinez, Ralph Louie Dela Pena, Soleil Sergejev, Brian Yee, JoAnne De Bono Giambrone, Adrianna Kantlehner, Brian Houle, Samuel Smith, Daniel Hollar, Anna Hundertmark, Nicole Spencer, Laura Rivera Grabiel, Sumedha Burra, Brianna Hobbs, Jenny Lee, Radu Andrei, Erica Jenkins, Kelly Wang, Eric Jones, Michelle Lee, Genesis Purizaca, Elena Barco, Carla Crespo-Triveno, Chie Taino, Jenna Bell, Julian Mitchell, Madeline Kobe, Maxine Bojorquez, Amanda Diaz, Christopher Boyd, Alyssa Farrier, Niloufar Mansooralavi, Menat Allah El Attma, Andrea Saddi, Brandon Clore, Ashley McGraw, Hannah Plackowski, Sarah Duffy, Stephen Hua, Rigved Deshpande and Victoria Railsback.

“We met Cindy Lynch in 2012 and her passion and enthusiasm for teaching art inspired us to develop this opportunity,” Executive Directors Tom Franco and Julia Lazar said. “These students are extremely talented and we hope this show inspires other organizations to support high school art education.”

For more information contact
Cindy Lynch,650-558-2699, clynch@mail.smuhsd.org

To find out more about Hillsdale High School of San Mateo please click on: www.hillsdalehigh.com

Firehouse Gallery North is open on Wednesdays from 3 to 8 p.m. and Saturdays from 5 to 9 p.m.


Posted by: Julia Lazar
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JANUARY & FEBRUARY @ GALLERY NORTH: Rebels, Hipsters and Visionaries, Bay Area Poets and Artists, 1950s and 60s



OPENING RECEPTION: Friday, January 10, 5:30 - 8:30pm

Zan Stewart on Jazz Saxophone. Refreshments.

Firehouse Gallery North is located on 1790 Shattuck Avenue, North Berkeley, CA 94709

January Events

Monday, Jan. 13, 7:30 - 9:45 pm
Beat/SF Renaissance author & poet David Meltzer’s seminar on the Beat Era: Beat Things - Using as a starting point, Beat Thing: La Alameda Press, 2004, a contextualization of that cultural moment's history. Both personal and critical, Meltzer offers a look at problematizing mythopoetic versions invented by successive generations. $20 at the door/Info:julmind@mtashland.net

Saturday, Jan. 18, 7 – 8 pm
Screening of 'San Francisco's Wild History Groove' by Mary Kerr. $5.

Friday Jan. 24, 7 m
Screening of 'Howl', directed by Rob Epstein and Jeffrey Friedman and starring James Franco. $5

Monday, Jan. 27, 7:30 - 9:45 pm
Beat/SF Renaissance author & poet David Meltzer’s seminar on the LA Avant Garde Scene & Wallace Berman: an exploration of Berman's utilization of kabbalistic ideas and symbols in his variegated body of art works. $20 at the door/Info:julmind@mtashland.net


February events

Saturday, February 1, 2 – 4 pm
Poetry Reading with Jack Hirschman and David Meltzer - $10

Friday, February 7, 7 -8:30pm
Screening of 'Venice West and the LA Scene' by Mary Kerr. David Reid host discussion. $5

Saturday, February 15, 7 - 9 pm
The Zan Stewart Band with pianist Keith Saunders, bassist Adam Guy, and drummer Ron Marabuto, $7 - 10 at the door.

OPENING NIGHT, JANUARY 10, 2014



Posted by: Julia Lazar
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NOVEMBER EXHIBIT @ GALLERY NORTH

Curated by TOM FRANCO, Firehouse Art director
The artists of the November show at Firehouse Gallery North:

JULIA LAZAR
KELLI HILL
SCHEHERA VAN DYK
& TERRANCE GRIEBEL all met living in Bolinas for extended times.
Schehera Van Dyk and Terri Griebel still do to this day.

It's time to have a Bo-Show in Berkeley and celebrate the season with art, poetry and music. Tom Franco will also host an artist talk which should be lively considering the peeps involved.


OPENING NIGHT
FRIDAY, November 22, 2013
7 - 10pm

1790 Shattuck Avenue, Berkeley Gourmet Ghetto

Kelli Hill and myself Julia Lazar, met at Brighton Beach in Bolinas, when Kelli clad in her blue wetsuit, with blonde hair down to her butt, with her classic longboard was heading out to the 'patch' where her peers, some of them famous surf stars back in the day, caught those long slow waves. It was winter, so no naked surfing that day, but we met and became friends over the last 30 years. It's such a blast to have an art show with Kelli.

Schehera Van Dyk has lived on Brighton, where she now has her art and ceramics studio, living the life of her passionate dreams, with husband, son and mom. We've known each other for about 30 years now and I so appreciate Schehera's art style and exuberance. Her dinner ware is highly collectible, and
I can't wait for the Berkeley crowd to fall in love with it, as the Marin folks already have.

Terri Griebel is a force of nature, besides being the radest artist I knew in Bolinas, he also shreds on the surf board and was one of the first mountain bikers in the world. When I met him in the 80s, he was sporting a 'Cunningham' prototype and carving new trails down Mt Tam, chased by rangers.

Terri has several painting on exhibit, one of which was a gift to Kelli, a portrait of Michael Sims, aka Saint 11:11, not because he was pious, but as rad as any free spirit ever will be.


Michael Sims died at the age of 32, on Kelli's sofa one afternoon, and we all keep magical memories of him we shared as friends. Here is a video he did with Jimo Thomas and Martin Matzinger: "Dogs in Bolinas". Michael also was the first white hip hop artist we all knew. May he rest in peace and join up again anytime.










Posted by: Julia Lazar
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KEVIN CHEAH PHOTOGRAPHY @ GALLERY NORTH

Opening Night

Saturday, October 12, 7-9pm
1790 Shattuck Avenue

PHOTOGRAPHY EXHIBIT
October 5 to 31, 2013


Over the past few months art has become very therapeutic for me. Adjusting back to living in America has not been an easy process. I am at a big crossroads in my life; happy in the present and excited for the future, with a vivid nostalgia of people and places of the past. Photography is an eternal reality of time, allowing documentation of the places I will go and all the places I have been. Social media is the forefront way of staying connected with friends and family these days. With a click of a button, smart phone applications make it easy to feel the connection we long for on this lonely planet. My new series of work entitled “Art Therapy” involves some of the lovely people I have met and places I have been in the four years I spent abroad. Riding my bike around Berkeley, I began snapping photographs of things in my neighborhood. Then, I sent out 4x6 postcard sized print outs of 24 selected images to a select group of 24 friends from around the world. Along with each image, I wrote a handwritten letter:

"Dear Friend,
I am writing this to you. Yes you! You have changed my life in more ways than you may think you have. Every smile we shared, every laugh we made, all amount to a special moment that was shared in one moment in time. That moment will never happen again exactly the way it did.
You and I were a part of that moment. I will never forget it. I will never forget you. Although we are miles apart (Even just those who are only a few miles away), I wanna say that I miss you. Let’s reunite in another moment in time. Adding up a lot of moments with you is all that it would take to make me happy for eternity.
Because of you, I am the person I am today. Experiences are the world to me, and I am glad I got to experience them with you. Love, kevinHcheah"

Furthermore, I requested that they take a few photographs of things around their respective neighborhoods and email the images back to me. Proceeding, I took their image/images and my original photograph and collaged them together. Using a self-developed printmaking technique on tape, I proudly present to you the outcomes of my artistic therapeutic sessions.


Posted by: Julia Lazar
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JULY 2013 EXHIBIT @ GALLERY NORTH

Helen and Harry Kottler

Long time meditation practitioners from Southern California are bringing their vibrant folklore inspired art to the Firehouse Gallery north in the Berkeley Gourmet Ghetto.

OPENING NIGHT

FRIDAY, JULY 12, 7-9PM
MEET THE ARTISTS, REFRESHMENTS SERVED, 
ARTIST'S TALK HOSTED BY TOM FRANCO




Harry Chitrakar Kottler

Artist statement:

From seventeen to nineteen I painted watercolors on the kitchen table by the window. It was a meditative experience. All of these paintings were autobiographical. Many were about love. I painted a giraffe who was like me, his head was apart from his body. The last painting I painted was of a Christ rising in a red sky. I knew this would mean that I would stop painting this way for a while, and go through a difficult period
and then resurrect. That is what happened.
During my first year of my Master of Fine Arts Degree at Pratt Institute, I was criticized for painting a symbolic painting, so I immediately switched to making hard edged paintings, the style of the time. Although I would have been successful with this style, I stopped. I felt it was pointless. For a few years I didn't paint, but then I went to the Art Students League in New York City and studied realistic painting. In January 1973, a year before I met my master, I began to draw ink drawings similar to the ones I had drawn at seventeen to nineteen. One of them, depicted me with the giraffe fading while I approached a master who held all the cards of life. I spent four of the eight years that my master lived in his company. For the next several years, I didn't paint. I looked after my father for six months after he had a stoke. We lived the South Fallsburg and the Miami Beach ashrams. A few months after my father died in the Miami Beach ashram in January 1980, I began to paint. I painted thousands of paintings. In a dream I was told, I had worked through many lifetimes of karma through painting. My paintings are now about experiences of transcendance, ecstasy, peace, and universal love. I sign my paintings Chitrakar because that was the name my master gave me. It means God as the artist.


Helen Savitri Kottler

Arists statement:


I always wanted to paint, but I feared the revelation art always is to the artist and the world at large. Every art piece is in someways a self portrait. I could not bring myself to do anything which might reveal my inner turmoil. After meditating for some years under the guidance of a master, the desire arose in me to express the essence of the spiritual teachings of the Indian scriptures in paintings. I met Harry and watched him paint for a few months. I then realized how much I envied his absorption in self expression; he poured his inner world out onto canvass. I now had the couage to do art. Harry taught me to paint from inside. My paintings, at first away to witness and resolve inner issues, have now become the leaves of a spiritual diary which celebrate and reverberate with my experience of ecstasy. I paint symbols of profound experiences and the intuitive moves to complete the paintings develop my understanding of the experiences' significance. The paintings are joyful with a ground of silent energy. I sign my paintings Savitri. Savitri is the spiritual name given to me by my master. It is another name for the goddess Parvati, the wife of Shiva. The Indian goddesses represent the creative energy of the Lord.

FIREHOUSE ART CO
For more information and directions please go to the facbook event page here.
Posted by: Julia Lazar
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Jenny Lemper - photography exhibit

Firehouse Gallery North
June 4 to July 2, 2013
OPening Night, Friday, June 14
7 - 9pm

1790 Shattuck Avenue, Berkeley CA 94709

Jenny Lemper, Photography exhibit
"No Lines Between: The Georgians of Abkhazia and Samegrelo"


With the fall of the Soviet Union, the world’s map was dramatically reconfigured. The collapse set off conflict and turmoil in the Caucasus. Instability and uncertainty continue partially as a result of geopolitical strategizing by outside nations. A more hidden war has replaced the Cold War as East and West vie for influence and control. Access to Caspian oil and gas is of primary importance in the power struggle. Various disagreements block western-bound oil and gas transport except through the Republic of Georgia, a convenient land bridge between Azerbaijan’s Caspian coast and the Black Sea. Whoever has the most influence there can better control the western market. For this reason Georgia is being pressed diplomatically by the West and geographically by Russia. Three of Georgia’s former territories: South Ossetia, Kodori Valley, and Abkhazia are manned with Russian troops.

The 1992-93 Abkhazian/Georgian war pushed 45% of the population out of Abkhazia. Most were Georgians. Many have been allowed to return to their homes in Gali district; however, most live in Samegrelo on the Georgian side of the border. In 2010, I began the documentary project No Lines Between: The Georgians of Abkhazia and Samegrelo. It attempts to represent the people residing along the conflict border who are trying to live as a singular, undivided community despite the twenty year old division line running through it. Though the housing crisis affecting displaced people is key to this project, its scope widened in response to the web-like dynamism of the post-conflict environment. Subject matter has varied through out the process: from displaced people living in abandoned institutional buildings called collective centers, to those selected for new housing, to the larger community and landscape. To photograph in this community requires openness: to the people, to their history, struggles, and achievements. It requires a willingness to absorb all that is there as my own: the beauty, sadness, hope, regrets, frustrations, and determination. I keep my eyes alive, remembering to concentrate on the mood and aesthetic, the angles and shadows, and take the photographs. Each image represents a vast realization. Together, the photographs create an inclusive composite picture, an ever-expanding map of understanding.


Artists Bio:

Jennifer Lemper is a Californian artist experienced in painting, drawing, silkscreen, and film photography. In 2005 she received a BFA in photography from San Jose State University. She photographs in a subjective documentary style, focusing on the social, cultural, environmental, and political aspects of contemporary reality. Her work utilizes both spontaneous and deliberate methods and explores local as well as international occurrences. Previous projects include collaborating artistically with individuals in San Francisco to create images that investigate gender roles and sexuality and photographing New Orleans in the wake of Hurricane Katrina. Since 2010 she has been working on an ongoing project, documenting people affected by conflict on the Georgian/Abkhaz border.

Posted by: Julia Lazar
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LOCAL TRIBE EXPO @ GALLERY NORTH MAY 2013

We Are Becoming Our Ancestors

Drawings, paintings, and sculpture by: Magick, Leif Wold & Tigre Bailando

We are becoming our ancestors. We are elders in waiting. Our bodies and our spirits are our inheritance from those that have come before us. Every day we are creating the legacy we will leave for those who will come after us.

Please join us for this exhibition exploring & honoring our personal, collective, and archetypal ancestry.

Opening reception on May 10th will feature live performance and a collaboratively built altar to our collective ancestors. We invite you to bring an offering to give to the altar (whatever that may mean for you). There will also be jewelry and prints available for sale.


And here are our bios:

Tigre Bailando is a multi-disciplinary artist born and raised in Philadelphia, now living in Berkeley. His work spans the visual, ritual, and performative arts, drawing on the deep reservoirs of mystery and magic impregnating the world and characters that surround us. He is inspired by mythology, music, trickster gods, mountains, love, death, graffiti, cartoons, old folks, poetry, decaying wood, rust, spirits, stillness, bones, folktales, the vastness and complexity of human emotions, winds, children, the human and non-human figure, trees, the ritual practices of people throughout the world, and the cosmic impulse to play. http://tigrebailando.com/

Leif Wold is an East coast born Artist, but as a youth transplanted in the northern California soils. Since finding artistic ground in the Bay Area he was deeply inspired by the street art budding up everywhere around him. And since his early twenties he has embarked on numerous over seas journeys to India, South and Central America to learn both the lifestyles and spiritual traditions of our ancient cultures. His travels and studies in the artistic traditions and heirlooms of our Earth's people have served as the primary inspiration for his latest work. From sand mandalas to textile weavings, temples to ceremonial garb, Leif's work seeks to recapture the great mystery so elaborately revered by our predecessors, and communicate it to our modern world.
He currently lives and works wherever he lives and works, but calls the Sierra foothills a good home.
http://www.leifoutloud.com/


Magick, a Bay Area Local born in Manila Philippines, draws together an urban expression of a Renaissance Butterfly dabbling in the fields of Paint, Stringed Instruments, Jewelry Design and Esoteric Sciences. A world traveller, mother, dancer, student of life and the paths of earth’s mystery schools, her love for art and geomancy began at an early age. Since San Francisco’s School of the Arts high school, London’s University of London Union for Art History, the Art Institute of San Francisco, CA for Interior Design to lastly the Golden Gate Feng Shui School, her path for understanding form, the history of beauty and its application has been immensely eclectic. Sustainable design, contemporary art and feng shui have been the backbone of creativity throughout her design training. Through it all, the thing she has gained most is the sense of certainty in knowing what she was put on the earth to do….Make Magick to make the World Shine Brighter.

 
Posted by: Julia Lazar
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TOM FRANCO SHOW INITIATES NEW ART COLLECTIONS

Three new art collectors aquired Tom Franco paintings during opening week in April 2013.

A beautiful success for a working artist whose work is cutting edge and counter 'art world' culture. 

"We believe that Tom's work is going to be very well known and valuable in time, and are truly happy about these folks starting a private collection with such big future winners. " JL

Firehouse Gallery North will be open on Saturdays and Wednesdays 5 to 8 pm through April, there are still pieces ready for a home, come and view, meet and mingle with the artist and some other Firehouse art collaborators.
Here are some photos from opening night, which also served as Tom Franco's birthday party night...one of them...with DJ Patrick Lotilla painting perfect soundscapes, singer songwriter Jordan Epcar, Will Crum guerilla crashing, Tom Franco giving a talk about his process as an artist and vision for an art retreat spot in the country...another wholesome current culture art event with Firehouse collaborators.
Here are a few photos of opening night:
Artist talk...
Bannwart family in one of the new art collectors!

May the art collections grow and increase in value for the families who started them. 

Feels great to live Art Now.


A Big thank you also to Firehouse Harmon Street Studios friends, who organized a surprise party on Tom's proper birthdate April 14...love you guys!

Posted by Julia Lazar
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APRIL 2013: 33 YEARS OF BEING TOM FRANCO

An annual tradition, April, the birth month of the Executive Director of the Firehouse Art Collaborative marks the emerging of new art evolution by Tom Franco.


Working Title: Tropical Joy
In Tom's own words:


“Art has become an obsession on leisure and comfort. To find the little niche of an object of beauty, that radiates these qualities, is a fascination of a life time for me. The way that my hands mold material that once were left as having no value, then becomes worthy of display. It goes beyond the mere conceptual statement that something is worthy as art. The mystery lies for me in the conscious act of infusing the particles of meaning directly into the raw material at hand. The fact that such things as odd wood chips and springs and plastic paint can hold meaning is stunning amazement. The fact that my pure conscious dreaming mind can be manifest into such materials is a miracle of this natural world we live in. I find that meaning in life comes directly from this experience, the act of sitting still enough to listen and see, and the act of creating that vision to share with others. This is true modern magic.” Tom Franco 2013

Please join us for Opening Night at the Firehouse Art Gallery North on 1790 Shattuck Avenue in the Berkeley Gourmet Ghetto on Friday, April 12.  Tom will be present 7 pm to 9 pm for open dialogue, friends will be playing live music and reading poetry, a promise of laughs and leisure, celebrating art, friendship and our current culture of collaboration we all live and work for.
Your gifts and donations are welcome, you can use the button on this website, your gift support the continued evolution of the art and artists comprising the Firehouse Art Colab in a non profit setting.

Here are some photos of art pieces in the process of evolution, and the final works will be on exhibit at Firehouse Gallery North April 12 through April 30, 2013. We will do our best to have the door open for you on Wednesdays and Saturdays to come in, visit and purchase. We do accept credit cards and personal checks besides cash.







Posted by julia lazar, let us know what you think, your comment counts.

Firehouse Gallery North March 2013 Exhibit and event


San Mateo—Hillsdale High School art students showcase their work, 
March 2013, at Firehouse Gallery North, 1790 Shattuck Ave., Berkeley, CA 94709


The exhibit, “Aspiring Artists Showcase” on view from March 8th through March 31st 2013, features 50 paintings and photographs by twenty-eight Hillsdale High juniors and seniors. 


Opening Night:Friday, March 8, 7-9pm

Live music by Chloe Little

Forum conversation with the artists and Tom Franco

Poetry readings

A collaboration between Hillsdale art teacher Cindy Lynch, and the Firehouse Art Collaborative curation team, Tom Franco and Julia Lazar.


“Our collaboration presents a unique learning environment for our students to explore their own work and their potential future as an artist,”Hillsdale Visual Art Teacher Cindy Lynch said. “We are grateful to the Firehouse Art Collaborative for making this possible.” 




Students featured in the exhibition are Haley Amoroso, Kyle Okano, Camila Benavides, Jean Ma, Philip Thomas, Kylan Wong, Christopher Hernandez, Jenny Lee, Jazmin Bustamante, Kelly Wang, Brian Spiekerman, Noam Margalit, Ava Donovan, Julia Yarak, Elise Phillips, Michael Yan, Kelly Lemons, Chang Liu, Emily Pichel, Travis Abrams, Kathryn Ullrich, Ricky Gonzalez, Danielle Gaggero, Lisa Raimondo, Shannon Song, Alex Herzog, Eric Newgard, Jordan Smith and Allison Lee.


“We met Cindy Lynch last year and her passion and enthusiasm for teaching art inspired us to develop this opportunity,” Executive Directors Tom Franco and Julia Lazar said. “These students are extremely talented and we hope this show inspires other organizations to support high school art education.”

For open door times please check our Calendar page.


For more information contact
Cindy Lynch,650-558-2699, clynch@mail.smuhsd.org
Or email Julia Lazar:  firehouse.art.collective@gmail.com

To find out more about Hillsdale High School of San Mateo.

For the Facebook event page, please click here: https://www.facebook.com/events/235259859943348/



Posted by julia lazar, let us know what you think, your comment counts.

GALLERY NORTH FEBRUARY ART EXHIBIT

"Process Portrait" a group exhibition of interdisciplinary and
multidimensional works by Eve Arbel, Caity Ballister, Anjelica Colliard, Hannah Lee Hoffman, and Smith|Allen.

What: Group Exhibition: Process Portrait
Where: Firehouse Art Collective, 1790 Shattuck AveBerkeley, CA 94709
Exhibition Dates: February 8 – March 2, 2013
Reception: Friday, February 8, 7-9 pm
Press Contact: Stephanie Smith, slsmith538@gmail.com

"Process Portrait" is an exhibition of works that focus on the process of art making, where the final product reflects exploration and growth throughout time, functioning equally as a portrait of the process and as an independent work of art. Ranging from Eve Arbel’s textured oil paintings and Caity Ballister’s folded tortilla installation to Anjelica Colliard’s drawn animations, Hannah Lee Hoffman’s sewn paper works, and Smith|Allen’s 3d printed drawings, it is a cross section of the possibilities of art, materials, and self-expression.

Upcoming Event dates  for "Process Portrait" at Firehouse Gallery North:

Storytelling Night: February 13, 7-9pm
Drink and Draw: February 20, 7-9pm
Closing Reception: March 2, 7-10pm






Texture, dimension, and color saturate Eve Arbel’s canvases, their sheer materiality captivating to the
viewer. Her work is dynamic, oscillating between abstracted and representational imagery and between
dimensions, building up layers of paint, dripping solvents, or collaging paper. The artist describes her
process as “a surrender to the process of applying paint,” and her work as “a diary entry.” Arbel’s paintings
are dynamic and introspective, each piece capturing a moment within her unconscious or a specific emotion
as it arises, though its form could reveal itself as a precariously balanced castle in Utopia (2012), or with
textured paint application in Peace and Quiet (2012). United as one, her works paint a comprehensive and
open portrait of the artist herself. Eve Arbel recently graduated from University of California at Berkeley
(UC Berkeley), where she was awarded an Excellence in Painting. She is currently an Artist in Resident at
Foundry Nights in West Berkeley, and has exhibited at the Worth Ryder Gallery and the Alchemy Café. In
2013, she will exhibit in Nabolom Bakery, Foundry Nights, Wine on Piedmont, and Sweet Adeline Bakeshop.
She lives and works in her home studio in Oakland.
Caity Ballister is an interdisciplinary artist who embraces art and practice, finding inspiration
in relationships, history, memories and the everyday: objects, moments, and emotions, her
work reflects life experience. Ranging from whimsical performance and bizarre video to
abstract painting and minimal sculpture, her work is raw and honest in its exploration of the
world around her, using accessible materials and her own experience as a guide: a compressed
ball of earplugs gradually grows and inflates to the soundtrack of her own masturbation;
discarded objects and clothes dismantled, reassembled, and repurposed in a wall-size
installation. Ballister plays with art history and expands on moments of surprise allowing the
viewer to rethink their own reality and to share in a common understanding. Through her
broad practice, Ballister tells stories, equally poetic and accessible, and paints a portrait not only of herself, but of the human experience. Caity Ballister recently graduated from UC Berkeley where she was a member of the honors studio and also received the certificate of Excellence in New Genres. She lives and works in the East Bay.
Skewed perspective, quirky narratives, and delicate line work capture the essence of Anjelica Colliard’s
work, which strives to “capture and understand an essence of experience that is uncanny or unexpected.”
Through the delicacy of the free drawn line, her work expresses the imperfections of human relationships
with the environment, with others, and with oneself. Originally a two-dimensional artist, she has begun
combining digital media with the hand-drawn, literally bringing life to her narratives that “visually layer
time” and confuse past, present and future. Colliard is interested in capturing an aspect of authenticity of the
world, creating portraits of relationships through her drawings, wordless comics, and intaglio prints. Anjelica
Colliard recently graduated UC Berkeley with honors and was awarded Excellence in Printmaking. She currently lives and works in Oakland.
Hannah Lee Hoffman is an artist who works with imagination and the environment, drawing from
nature and its elements, from herself and her community, and the world and its materials. Whether
hand sewing organic flowers out of discarded magazine pages or hosting community art events at
Make Harmony in San Francisco, Hoffman engages in an art practice that is social and collaborative,
creating portraits of community and human connection. Her work focuses on art as a continual, daily
practice, where the final product embraces its process, showing seams and the connections that hold it
together. Hannah Lee Hoffman graduated from UC Berkeley, and has shown at the Worth Ryder
Gallery in Berkeley.
Smith|Allen is a collaborative duo that combines the possibilities of hand and the digital and the
process of translation, juxtaposing hand drawings with 3-D printing technology and novel materials.
Combing Smith’s interest in installation, material, and dimension with Allen’s architectural background
and computer modeling skills, the duo is focused on work that is visually and experientially engaging
for the viewer. Examining forms such as dysfunctional ladders or tree cells, their work is a portrait of
functionality, translation, and change. Bryan Allen received his Masters in Architecture from University
of California at Berkeley, and currently is a post-graduate researcher at UC Berkeley. He has exhibited
at Wurster Hall and Headquarters Gallery in Berkeley, and at numerous spaces in Salt Lake City, Utah.
Bryan Allen lives and works in Oakland. Stephanie Smith is a Bay Area artist who graduated from UC
Berkeley with honors. She has shown at Yerba Buena Gardens, the Worth Ryder Gallery, Headquarters Gallery, and Café Local 123 in Berkeley; she lives and works in Oakland.



Posted by julia lazar, let us know what you think, your comment counts.

MARKO YAMAGATA EXHIBIT GALLERY NORTH January 2013

"Dactylformes and Slumberines" 

"Sounding the Depths" alluringly strange dreamscapes by Marko Yamagata seem to chunnel between the ocean's dark abyss and the vacuum of deep space; between ancient ruins of surrealistic (Etruscan?) grandeur and a fantastical future designed by Pataphysicians. See it to disbelieve it." 


Opening night:

Friday, January 11, 7-9pm


1790 Shattuck Avenue, Berkeley Gourmet Ghetto
Meet and greet the artist, plus a slice of Firehouse art collaborators who plan to come to help celebrate a new year. Snacks, bevvy donation bar, Marko's eclectic selected tunes and always a surprise or two. 


Marko Yamagata was born in January, a true pragmatist, who is also a principal Firehouse Artist and has had his art studio at the Firehouse Gallery North location for over 5 years.
With a BA of fine art from the University of Reno Nevada he is primarily drawing & painting mono print plus creates collages. His 3D work includes puppet type sculptures with deep sea themes. Paradoxes.
Keeping a balance between the grotesque and the comic his influences range widely. Alfred Jarry. Ken Price. Max Ernst and Art Clokey creator of Gumby...to name just a few.
He has had gallery shows in east bay since 1985.

We look forward to showing off one of our finest artists for the month of January 2013.
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November show open through December 1st

Thanks to everyone who came to the opening on Friday November 9th, Art Attack...we were packed to capacity at 9pm...Cool!
Stay tuned for the video, you can subscribe to our YouTube channel.

Betsy Franco read poetry from her book "Metamorphosis", Tom Franco debuted his live singing and guitar playing skills, Jimmy Dillon sang "Hold on to your dreams..." friends, neighbors, cal students, artists, live punk rock, DJs, peeps from our of town...made this the kind of party you smile for days about...we did.

Robert J Knight's sculptures resonate, especially with the men folk, in a big way. Every time we open the gallery door people stream inside and marvel at the symbolism, craftsmanship, tactility and authenticity of the Heart in Wood sculptures.

"To facilitate the Open Door times for the gallery, the exhibiting artists volunteer to host on Wednesdays and Saturdays from 4pm to 8pm through Saturday. 

December 1st, is closing night with refreshments, music and hopefully You."

Updates about daily and weekly events are easy to find on our facebook page.


ARTISTS
Julia Lazar
"Picture the Art of Life"
Photography

Robert J Knight
"Hearts in Wood and mixed Media"
Sculptural wall hangings

Tom Franco CoLab
"2012"
Sculpture and paintings

  • Photography exhibit chronicles the art of life...in nature, travel, current culture and surroundings captured by Julia Lazar. 
  • New exhibit of Bob Knight's amazing heart sculptures carved of wood with symbolic renderings in metal and found objects.
  • Experience two new paintings from Tom Franco's Art Lab 2012
Robert J Knight "Hearts in Wood" sculptures





It's OK to post comments, we love to hear from you.

ART ATTACK

At GALLERY NORTH
1790 Shattuck Avenue, Berkeley gourmet ghetto
7-9pm


Robert J Knight, Hearts in Wood and mixed Media
Bob Knight's heart sculptures carved of wood with symbolic renderings in metal and found objects

Tom Franco CoLab paintings

Julia Lazar Photography, life in pictures

Dj Kamyar Jarahzadeh and DJ Fish will create the vibe with eclectic sounds
Bevy bar open with sparkling, still and smooth smackings also for snacking hosted by the fabulous Pollyanna and her friends.

Celebrating November birthdays with friends and collaborators, this event promises to be stellar, and a heartfelt art attack...



Julia Lazar, Dragon kill at dawn

Robert J Knight wall sculpture

Tom Franco CoLab 2012

SAM RUBIN'S FILM CLUB LINEUP

Film Club creator and host Sam Rubin

Here is what we look forward to:

Sam Rubin's Film Club at the Firehouse Gallery North  

1790 Shattuck Avenue, Berkeley

Door opens at 6:30pm. Free entry & pop corn
Bring a comfy folding chair 

For dates please check our facebook page under events and our calendar on this site.


NOVEMBER: Expressionist Month
Nosferatu (GERMANY: F. W. Murneau): Silent classic based on the story "Dracula." Vampire Count Orlok expresses interest in a new residence and real estate agent Hutter's wife. This film capitalizes on the use of shadow as a means to create the fear of monsters.

DR. STRANGELOVE or: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB: (USA: Dir. Stanley Kubrick, 1964) A black comedy which satirizes the nuclear scare following the Cold War. An unhinged US Airforce general orders a first strike nuclear attack on the Soviet Union. The President of the United States, his advisors, the Joint Chiefs of Staff, and a Royal Air Force officer try to recall the bombers to prevent nuclear apocalypse. It separately follows the crew of on B-52 bomber as they try to deliver their payload. A stellar cast including George C. Scott, Peter Sellers, Sterling Hayden, Keenan Wynn, and Slim Pickens.

DECEMBER: GRAND THEMES
The Russian Ark (RUSSIA: Alexander Sokurov): The longest uninterrupted shot in film history, and the first feature film ever created in a single shot. Sokurov embarks on a time-travelling journey through 300 years of Russian history.

Moliere (FRANCE: Ariane Mnouchkine): A look at the life of French playwright and actor Jean Baptiste Poquelin, who developed his stagecraft adapting Commedia dell Arte plots to please brutalized peasants and cynical townspeople and eventually the Court at Versailles. Poquelin would later become known to the world as Moliere, one of the greatest masters of comedy in Western literature.

JANUARY: WOMEN
My Blueberry Nights (CHINA/HONG KONG: Wang Kar Wei): Gorgeously filmed pure romantic sensibility. A big-hearted owner of a small New York diner tries to soothe the broken heart of one of his clients. After going on a year long odyssey, she realizes that love what right at her doorstep all along.

Women Without Men (IRAN: Shirin Neshat): Neshat’s directorial debut, a stunning adaptation of Shahrnush Parsipur’s best-selling magic-realist novel. Set within the turmoil of 1953 Iran, a pivotal period of civil unrest in which a British and American-backed coup e’etat subverted the country’s democratically-elected government. The film follows the intertwining lives of four Iranian woman as they struggle to find peace in the face of overwhelming political strife and crushing cultural oppression.

FEBRUARY: SAM’S PICKS
On the Waterfront (USA: Elia Kazan) A seminal classic of American film. When ex-prize fighter turned longshoreman, Terry Malloy, inadvertently participates in the murder of fellow longshoreman, he struggles to stand up to his corrupt union bosses.

Tetro (USA: Francis Ford Coppola): A visually lush cinematic fugue about love, ambivalence and two brothers fleeing the dark shadow of their domineering father. Bennie, a waiter on a cruise ship, seeks out his estranged brother, Tetro, when he has a layover in Buenos Aires. Thoughts of their father cast a shadow over both brothers. Who is he, and what past has Tetro left behind?

MARCH: SCIENCE FICTION WAR
District Nine (SOUTH AFRICA: Neill Blomkamp) This film pivots on the themes of humanity, xenophobia, and social segregation. The title and premise of District 9 were inspired by events that took place in District Six, Cape Town, during the apartheid era. An alient spacecraft is confined to District 9, a government camp just underneath the hovering and disabled ship. Wikus van de Merwe, an Afrikaner bureaucrat, is appointed to lead the camp relocation. But he becomes infected with a virus from the ship and slowly becomes one of them. Hunted and hounded, he discovers what it means to be an outsider on your own planet.

Stalker (FORMER SOVIET UNION: Tarkovsky): A haunting meditation on the themes of science, healing and faith. An unseen alien force has taken possession of an area of Russian wilderness dubbed The Zone. Few who enter ever return. Three men become desperate pilgrims walking a desolate trail as they penetrate the dangers outside in search of the power and transcendence rumored to exist inside. This film has one of the most enigmatic and tantalizing endings in the history of cinema.

APRIL: SECRET AGENTS
Breach (USA: Billy Ray): Inspired by the incredible true story of the greaetst security breach in U.S. history. Eric O’Neill is assigned to work with renowned operative Robert Hansenn. Determined to draw this suspected double-agent out of deep cover, O’Neill finds himself in a lethal game of spy versus spy.

Tokyo Drifter (JAPAN: Seijun Suzuki): A 1966 Japanese yakuz (mafia) film. The story follows Tetsuya Watari as the reformed yakuza hitman "Phoenix." Tetsu who is forced to roam Japan avoiding execution by rival gangs. Suzuki’s stylized cult film pokes fun at the serious business of ganster life.

MAY: LIFE IN AND UNDER THE STREETS
In Darkness (POLAND: Agnieszka Holland) The true story of Leopold Socha who risks his own life to save a dozen people from certain death. Initially only interested in his own good, the thief and burglar hides Jewish refugees for 14 months in the sewers of the Nazi-occupied town of Lvov (former Poland).

L'Haine (FRANCE: Mathieu Kassovitz): A gripping reflection of its country’s ongoing identity crisis. A Jew, an African, and an Arab have grown up in the dead-end suburban ghetto-- the banlieu district--of Paris’s suburbs where racist sentiment and an oppressive police force have reached the boiling point. The film follows these three young men through 24-hour aimless spree of resentment at their social marginalization.

JUNE: VIRTUE
Red (FRANCE: Kieslowski): Dense and mysterious, ineffable patterns shape the characters' lives. Coincidences, missed opportunities, overbearing visual clues and strange, haunting parallels: all of these contribute to a gradually emerging sense of destiny between two characters who appear to have little in common. Stories develop like photographs in a darkroom. They are sharply defined only in retrospect, when the process is complete.The final film of The Three Colors Trilogy (Red, White, Blue), which examines the French Revolutionary ideals of Liberty, Equality, and Brotherhood, the national motto of France.

Dates will be posted on our Calendar as well as Firehouse.Art.Collective facebook page under events

Stephan Hawk & Amanda Verwey exhibit @ Gallery North

OCTOBER 2012

PHOTOGRAPHY BY STEPHAN HAWK
ILLUSTRATIONS BY AMANDA VERWEY 

Opening Party on second Friday, October 12, 7-9pm
1790 Shattuck Avenue, Berkeley Gourmet Ghetto

We are so happy to have these artists on exhibit for the month of October 2012.
Stephan, we met in West Oakland living next door to our art live loft and he brought Amanda on board, who works for YBCA in San Francisco as an illustrator.

The Vernissage is hosted by Tom Franco, includes live music, spoken word, complimentary treats and a donation bevvy bar  including 23Monkeytree Kombucha microbrew.




SAM RUBIN'S FILM CLUB @ GALLERY NORTH

Announcing Firehouse collaborator and friend Sam Rubin's film club premiere

Young Bay Area actor and award-winning student filmmaker, Sam Rubin, hosts a Film Club at the Firehouse Gallery North twice a month, beginning September 29th at 7 p.m.
Sam plans to show films mostly off the beaten path, starting with Director Satsuo Yamamoto’s Shinobi No Mono, a complicated story of ninja politics with lots of action. This film was one of the early ninja melodramas and popularized the ninja in film and television using real ninjitsu techniques. It also influenced the James Bond film, You Only Life Twice. Sam chose this film because it is beautifully shot using natural light.

Each month, there will be a theme: October (Horror Month) features: Real horror: Apocalypse Now (Francis Ford Coppola) and (fun Vampire horror) Let the Right One In (Thomas Alfredson), again, both beautifully shot, well-executed (pardon the pun) films.


See Sam Rubin's full bio below*.
Film Club Premiere:
September 29th, 7pm
1790 Shattuck Ave, Berkeley Gourmet Ghetto
Donations gratefully accepted 




Shinobi No Mono (JAPAN: Satsuo Yamamoto) a complicated story of ninja politics with lots of action. This film was one of the early ninja melodramas and popularized the ninja in film and television using real ninjitsu techniques. It also influenced the James Bond film,You Only Life Twice. Sam chose this film because it is beautifully shot using natural light.

*Sam is a local Bay Area singer, actor, and filmmaker. He's been in over two dozen local stage productions, including an internship (invitation only) at The New Conservatory Theatre in San Francisco, and over thirty indie films in both featured and support roles. He had his first lead in John Sullivan's graduate student film "i" when he was eleven.
Sam has always had access to video camera and made his first films in grade school. He went on to study filmmaking in San Francisco atThe Film Workshop. His award-winning films have been shown in festivals from LA to Milan, including the following list: LA FilmFestival (2x, including receiving Target's "Dream in Color" award for best student director), KSCM's "Spotlight" high school film festival (award for best Drama in film), SF Film Festival (Golden Gate Award Honorable Mention), Mill Valley Film Festival (3x, including being the cameraman for this year's "The Adventures of Guitar Greg"), The National Film Festival for Talented Youth (Seattle) (2x), Tower of Youth Film Festival (Sacramento) (4x), Chicago Film Festival, Nashville Film Festival, the Alabama Sidewalk Film Festival, a couple of gender-related festivals in NYC and Connecticut (can't recall the names) and the Milan Film Festival.
Currently, Sam plays Rocket in an Internet TV show entitled "The Rocket Family Chronicles" which will be featured on The Autism Channel TV, a new internet TV channel. He is writing a one-man stage show (Acting Lessons) about his emergence from autism (Director: Michele Shay). And he is working on his current short film, "Painting Karla."
And Sam is author of the book And...Action! My TAKE on Autism (and Life) available at http://www.therocketfamilychronicles.com/action

THEARTHUR WRIGHT SHOW OPENS AUGUST 10 GALLERY NORTH

Reception night: Friday, August 10, 7-9pm
Address: 1790 Shattuck Avenue, Berkeley CA 94709
Curator: Tom Franco

Title:“ No More, No Less”

Pointiflet - Images Rendered in Bleach

http://sigidiart.com/pointiflet.html

Artist: TheArthur Wright

Artist’s website : http://www.thearthurwright.net

About TheArthur

I was born in Little Rock Arkansas in 1940. Three years later, during the Second World War, the family moved to Seattle where my father found defense work at Boeing Aircraft Company. Joining the U.S. Air Force after graduating from high school I spent three years in Japan, a country that impressed me then as it continues to do even after all these years. After discharge I attended Central Washington State College in Ellensburg for a year then moved to the San Francisco-Oakland Bay Area in October 1964. I am the father of four children, three robust young males and a lady. My first writings were published in the early seventies and my art sold well initially but after nearly a 20 year hiatus I revived my art career in 1994.
Reviving my career has taken me on a wild ride, including a call to Hollywood, short-lived and becoming a board member of the Artship, a renovated ship of war that became a seaborne arts venue in Oakland that was discontinued in 2004. My first internet sale in 1997 was to a person from South Africa and one of the most recent to a Swedish representative of the Carnaval, a huge and sprawling, even global celebration that deals intensively with the peoples of the African Diaspora. For the 2004 Carnaval in San Francisco my bleach rendering of ‘Califia, Queen of California’ was chosen as the poster cover for that event. I have since been shown and honored in various schools and colleges such as Stanford, UCLA, Sonoma State and Santa Rosa JC and a much longer and growing list.
The introduction of bleach into my art has been a huge catalyst and I find enough nuances in using it to take me the rest of the way.



Statement:
Most artists, I believe, dip their paintbrushes, or lift the hammer, the knife, because it gives them their best bet to connect with the world at large, to reach the soul, the heart, the spirit of so many others with a particular set of truths or beliefs about existence as it is known to the artist.
The tool used really doesn't matter; some artists use more than a few. The expression is the main thing. This expression is a language we have chosen to use from life-lessons. These are brief, fleeting moments of revelation and hopefully it comes from the heart, revealing a "Deep Within". As with dance, song, or athleticism, painting from the `deep within' is more or less a `comfort zone', a wellspring we can draw from, using a few simple tools to express what essentially we cannot speak, only experience, and what I call my art is my small attempt to show how I realize these inexpressible things reveal themselves to me because it is the best I can do to connect with the world at large, to reach the soul, the heart, the spirit of so many others with a particular set of truths or beliefs about what is as I have experienced it. This need to communicate, to embrace the environment, to interact with those within that environment, those things that show how defining words quite simply fail to encompass the essence of the incredible and the commonplace things, the rare and not so rare, all the opposites and all the shades in between. We don't need a ticket; we simply need to get on board and those who take this ride quite often are the driven ones to do whatever it is they do: artists all: the choice to do otherwise simply isn't there.

To me artists are cutting-edge tools of our (the human race) voyage through this 'Grand Continuum' that started with a timeless beginning, seers into the future, peering down into the depths of our (is)ness. Through this magic thing called art what they imagine can become real. Romantic as that may be, my own drive is often satisfied quite simply by dusting off old shoes, or old beliefs, or old styles, recycling, if you will, but presenting them in a new way. Perhaps this new way has never been seen or thought of before. I love those mystical flights but they do not come at a beckon; they choose their time. I don't care for revenge. But I don't mind at all looking at things closely and if I need to take action at least I will do it knowingly. Wrongful things done by those who did them and continue to do them, willingly or not, and to be the avenger of those wrongs are not so much my concern as my desire to express the strength and dignity inherent in the subject matter of my choice, organic or not, whether (still)life or dynamic human effort that find their way under my brush, or tip of the pen. And even more accurately, as I explore this new medium of bleaching, the tip of a toothpick, and now, the bamboo skewer is my instrument of choice. It is a salute I give to things that in turn give expression simply by being, a vibrant, deep state of being that goes quite beyond where even the penetrating vision of the seers, and the insightful musings of dreamers can never give definition. I place blinkers over my eyes so that I may have a clear and uncluttered view of what is ahead and keeps me on a narrow track, with a minimum of distraction. No head stuck in the sand here, but clarity of focus and doing what is nearest at hand is what I am after, and in the best style possible. Not as the Avenger, not the Revenger, but as the Affirmer. And that still leaves room for me to defend myself when challenged. Be careful. I still have teeth.

I am black by birth, born towards the tail end of the grand march of humanity that began far back at Olduvai Gorge in South Africa where the oldest fossils of mankind have yet been discovered. I express who I am every day through the filter of that blackness. The 17th and 18th centuries bore witness to a great denial of history as it actually happened, by willing ones who knew and sometimes unwilling souls who may not have known how much they contributed to this great human mistake. Out of that denial came a great deal of my own personal grief, and more so, the grief of a people who were (blind)sided by terrific social forces that took a great heritage and reduced it beyond the irreducible. Kings and queens of great and powerful civilizations proliferate throughout our history, and men and women of great note. Wisdom and tradition belonged to us almost without limit, and great, great achievement found fertile ground. Discoveries of these ancient doings are brought to light in daily doses. I intend to take part however small in the (un)covery, this (re)covery of history as it truly was, if only as one who toils for long hours, all by myself if need be, and into the dark time of day.


More than any well-warranted concerns for those who caused slavery and racial divisions I care more about the restoration of the grand things expected of the human race. If black people take the vanguard in this great manifesto that must take place if we as a species of this earth is to continue I will cheer. Indeed, I feel it is our rightful place to do this. A reaffirmation of what was, if you will. It will be simply that few peoples will have had to come from so far as we have, through so much, and survived. If anything drives me to do what I call art, to sell my paintings and other creative endeavors, to hope that they have meaning to those who eventually possess them it will be that quiet little belief lying there, waiting, deep, deep within, my own ‘Deep Within’, that we have come far, taken the blows, are still in the process of recovering from those blows, and we have survived.

JUNE 2012 SHOW AT GALLERY NORTH

OPENED second Friday with local and out of town friends.

"FORREALISMN" a local group of artists we met last year at the November art murmur in Oakland is exhibiting a very cool collection of paintings and 3D wall sculptures.

Joaquin A Newman pulled the group together and curated what we think is a truly awesome show.

Here are some visuals, the gallery is open on Saturdays from 5 to 9pm and you can always email us: firehouse.art.collective @ gmail.com or call Julia at 510 593 0733 to make an appointment to see the exhibit and purchase any of the art.

Enjoy the photos and come by when you can.
We always love to hear from you...feel free to use the comment box at the end of this post.